In Evren Sahin's India gallery, notice how he often partitions the frames, dividing the visual space up into completely separate stages, and how skillfully he places central subjects at the edges of pictures—sometimes, as here, mirroring the edges. He has a great knack of shaping radically cropped elements. I can't remember the last time I've seen new work that uses the frame so energetically.
Posted by: MIKE JOHNSTON
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